How 'Suburbicon' Reveals Dual Cultural Fissures in France and the USA

In the theater, the fascination with Suburbicon was with just how racist these white Americans in the 50s appeared, a laughing stock for a French audience that gets a little more touchy when their colonial history in North Africa or race-blind ideology comes into discussion. They jab at capitalism run amuck while wearing New York Yankees caps and worrying about becoming a fossil-state like Italy.

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Jake Lahut
King Krule Crackles and Coalesces at Casino de Paris

Marshall’s aversion to the spotlight manifested itself literally during the show, with the singer remaining shrouded in darkness with the rest of the band as a four-front light show played out across the crowd. Only a few lighting schemes illuminated his rosy hair and lifted the shadows from under his cliff-hanging cheekbones.

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Jake Lahut
Paris Photo 2017: A Can't-Miss Festival of Verbosity

"Variations of "what is a work of art?" were mixed in with musings about "positionality" and "the aesthetic of non-aesthetics." While interiority and the nature of existence were certainly being mulled about in myriad internal monologues, the oral product often nauseated this reporter."

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Jake Lahut